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My Perfect Little Black Dress: Easy to Sew Vogue Pattern 8997

My Perfect Little Black Dress

My Perfect Little Black Dress

 

My Perfect Little Black dress is the second version of easy to sew Vogue Pattern 8997 I’ve made recently which for me is unusual – I mean making a pattern up twice is unusual. This is partly because I have access to all the new McCalls, Butterick and Vogue Patterns as I am their UK Brand Ambassador but also because I just love to make something new. But I digress, this time I did remake Vogue Pattern 8997 because it is a fabulous design that is easy to make but looks so different in different fabrics.

 

the first version of Vogue Pattern 8997 -my La La Land dress!

My first version was made in a bright yellow cotton with big blue spots – fabric I’d had in my stash for over 20 years and which is actually furnishing fabric. It holds the shape beautifully and makes the full skirt really stand out.

 

The new fabric is a net with an all-over ribbon swirling applique

I had another beautiful fabric in my stash, bought a few years ago at the Knitting and Stitching Show, Ally Pally (actually I have quite a few fabrics in my stash bought on impulse because they are beautiful, but again, I digress). This simple design is the perfect pattern for this complex looking fabric and my Perfect Little Black Dress. It is a black net with a swirling ribbon design appliquéd on it resulting in a very textural piece of fabric. Much of the fabric is see-through and the swirling pattern is busy, so the pattern needed to be simple! Hence Vogue Pattern 8997.

 

Pattern choice for My Perfect Little Black Dress

The beauty of using the pattern again is that I had already done the full bust adjustment needed (which was minimal because this design has Custom Fit bodice pieces for cup sizes A, B, C and D which are such a boon if you are full busted).  It’s also a Very Easy Vogue design – which means simple lines and minimal piecing – another good thing for this busy fabric.

 

I have to say, the fabric was a pig to sew too! But so lovely I persevered! The undulating appliqué, varying from thick rose clusters to thin trailing ribbon tails meant it was difficult to sew through. I used a sharps needle, size 80/12 – a bit big for the netting, but just right for dense areas of the appliqué.

Adding interlining

Rather than use interfacing which would spoil the look of the fabric I used interlining

I pretty much followed the pattern, making the same view as before. The bodice is supposed to be interfaced completely, but of course, I didn’t want to do that and ruin the transparency and lightness of the fabric, so I interlined it instead with a flesh coloured lining (cutting the pattern pieces again in the interlining fabric and then sewing these around the edges to the reverse of the main pieces. From then on I treated the joined sections as one and continued to construct the garment). I then lined the whole garment with a nude colour lining which also doesn’t detract from the lightness of the netting nor deaden the impact of the 3D appliquéd ribbon.

 

 

 

I did attach the lining so the right side faces the wrong side of dress rather than the usual way of having wrong sides together. This means that where you can glimpse the lining through the transparent netting, you don’t see any seam allowances. I also left gaps in the lining at the pocket position, and made the pockets out of the lining fabric (less bulky) so that they slipped inside the lining too – again making them invisible.

 

Some areas had plain netting, which I covered with off-cuts of the ribbon applique

At a couple of places, where I had to use the full width of the fabric for the full skirt pieces, there were patches without any of the appliqué, so I cut some spare fabric from remnants and stitched it in place over the netting – seamless joins (and as the pattern of appliqué is fairly random, no careful pattern matching was necessary).

Invisible Zip

The only visible sign of the zip is the tiny zip pull at the top

I chose to put in an invisible zip (my preferred zip method anyway). It went in easily and is only visible by the little zip pull at the top.

 

To hem the fabric, I used a rolled hem on an overlocker. It gave a neat finish without worrying about hem allowance being visible from the right side and as the fabric is bouncy and bulky (although very light and floaty too), I didn’t need anything to add support in the hem – the skirt flares out beautifully all on its own.

Which Shoes!

Now the big decision is which shoes to wear with it. Do I opt for the black and gold sandals, the silver/gold sandals which change colour depending on the light, the ultra high, golden heeled black and gold sandals or my newest acquisition, the dusky pink glittery sandals. Or maybe, I need four occasions to wear all four!

which shoes to wear?